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Showing posts with label ChrisBoardman. Show all posts
Showing posts with label ChrisBoardman. Show all posts

Monday, August 18, 2014

The Curse of Indecision

Do you struggle with making a decisions? Do you drift off into “what if...?” Do you worry about being wrong? About being perfect?

Seems to me that it is all too easy to base decisions on our perception of reality. This makes our decisions susceptible to a variety of influences that can distort the decision making process. When we are faced with making a choice under these circumstances our biases and beliefs can distort the quality of the decisions we make...sometimes with disastrous results...sometimes with more pleasant outcomes. Some times your choices may be well thought out and have no effect on the outcome at all! Choices work or they don’t. Moving forward is about not stopping...not letting fear prevent progress.

When you approach a fork in the road you are forced to make a decision. Right or left. stop or go back. Obviously your choice will send you down a path, each with a different potential outcome.
But how can you decide which road to take?

Clarity of purpose

The best we can do in this situation is to remind ourselves of the purpose we wish to achieve and make our choices accordingly. Without knowing where you want to go and having the commitment to stay the course, chances of success become exactly that: chance. Or in other words: your probability of success becomes random at best. Not good odds at all.
However, once you have made the decision to go in a specific direction, then, and only then can you figure out how to get there and have any chance at success.

Take an architect for example:
An architect is trained to take ideas (for buildings) and make them real. They aren’t in the business of fantasy or “what if”. They apply their craft to execute their ideas using the tools and skills in their personal arsenal.

I’m sure you’re wondering what this has to do with making music? Well, the short answer is: EVERYTHING. 

Writing music is a constant decision making process. The choices are endless. 

So, where to begin? 

You won’t get anywhere if you don’t start walking. 

Commit to your purpose and get going. Move past the fork in the road and see where you end up. Soon enough you’ll find out if you have made a good choice or not. Don’t be afraid of falling off the horse or being ridiculed. Just get back on the horse...and carry on. Just like mastering an instrument or skill, the more you practice the better you’ll become.

Music is art...not open heart surgery. Remember, no one will die if you use one reverb over another. This instrument or that. There is no right answer...it is entirely subjective. And, you can’t control whether or not anyone else will like your work so why worry? 

Being comfortable with the decision making process is the path to releasing your artistic voice. 

This is about your journey and no one else’s. Work with purpose. Be conscious of your choices. Be willing to make mistakes. If you can’t make it past the fork in the road...you’ll never know what you are capable of nor will anyone else.

Monday, August 11, 2014

Vital Collaborations Pt. 4 Create value

(This is an excerpt from a speech I gave at the VizualNow Event July 27th).


Create Value
Great artists spend their lives developing their craft. It is a personal, internal pursuit....an intrinsic pursuit of expertise and competency. 

But what if your expertise is not the real value you bring to a collaborative environment?

Preparing for this talk I did an informal poll of music supervisors and filmmakers. 

To a one they said: Productive working relationships are of equal if not greater value to them than talent or expertise. ... of equal if not greater value than talent or expertise.

At a certain point....expertise is a commodity. There may be tens, hundreds if not thousands of people vying for the same opportunity...with similar expertise. What will make you stand out?

Perhaps... the greatest value you can offer in a collaboration is your ability to work well with others and enhance the performance of those around you?

Making media is a team sport ....you can’t do it alone. 
The great ones are happy to be team player - if the team wins ....they win. 
They leave their ego at the door, roll up their sleeves and just get on with it.

CLOSING

Am I saying that successful collaborations always run smoothly, without problems? Of course not. Strong willed people have strong opinions. There will be disagreements. It’s to be expected....especially in stressful situations.

Am I saying that to be an effective collaborator you should sublimate your opinion, tiptoe through the politics and speak when spoken to? Not at all. You are there because you will add value...because you DO have expertise that is needed.

What I am saying is this:

Those who realize that their self-worth is not dependent upon the words of others...

recognize the value of positive working relationships,  how they enhance the quality of communication...

and vigilantly strive to add value, not only for yourself, but for everyone involved ...

three things will happen:

1- Most likely you will have a positive collaborative experience which will enhance your reputation.

2- You will differentiate yourself from your competition- there is only one of you. 

And finally-

3- you will create a pathway and process that will lead you to a successful, sustainable career.


Thank you.

Sunday, August 10, 2014

Vital Collaborations Part 3: Making connections

(This is an excerpt from a speech I gave at the VizualNow Event July 27th).

What is this thing: “charisma” Why is it some people are more popular than others? We’ve all known someone who is a people magnet....people can’t seem to get enough of them. So why is it easy for some  and so difficult for others?

In my experience it all revolves around the ability to connect with others in a deeply personal way. 

Some years back I met Oprah Winfrey. We had a short conversation about both of us working on the Color Purple. What we talked about is not that important. What I remember most about that encounter was the intensity of her attention. When she looked me in the eye I was speechless...she was focusing her entire being on me and it was overwhelming. Honestly, I had to look away....I wasn’t prepared for that. 

We’ve all met intense people...people with a personal agenda who never hesitate to push themselves onto us.

Oprah WAS intense...but it was different. It was as if she was searching, scanning me....to absorb as much about me as she could. She was focusing her ENTIRE ATTENTION.....to see what was in my heart.

Connecting in a conversation is basically an exercise in empathy...listening not with the intent to reply but to absorb everything about the other person....trying to understand what is REALLY being said....not what you THINK is being said.

Most of us listen, waiting for the moment when we can blurt out what we are thinking....when we do we can easily miss the subtext of what is really being said.

It doesn’t matter if you are in line at Starbucks or in this room. 

Looking the person you are speaking with right in the eye...giving them respect by actively paying attention sends a huge message: 

At that moment they are more important than you...the most important thing to you is the next word they say...

This simple yet profound act of connection will pay enormous dividends by creating trust and intimacy.

And Trust...


 is the foundation of ALL sustaining relationships. 

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Saturday, August 9, 2014

Vital Collaborations Part 2: Managing your fear


(This is an excerpt from a speech I gave at the VizualNow Event July 27th).

Part 2.

For thousands of years humans have used stories and story-telling to help them accept what they don’t understand. 

We all make up and tell stories about ourselves...which ends up creating a large part of our identity.
And when we perceive our “identity” is under attack we will defend the illusion rather than the reality.

If we are afraid, or uncomfortable it is next to impossible to hide. It will show itself in the words you choose, your facial reactions and your body language. What’s worse is: in a collaborative situation your fear can become the 800 lb. gorilla in the room. Your fear accompanies you wherever you go. And even though you may think you can hide it, those around you will sense it-making accommodations be they subtle or overt. Best case scenario is that the people you are working with will accept your peccadilloes...because what you contribute is of great value. Worst case: you will be let go because you are perceived to be too much trouble.

What is it about my list of successful people that helps them deal with their fears. What is that “gold dust” I was looking for?

It’s not magic....it’s confidence.

Successful people work hard not only on their craft but also on themselves. They practice their interpersonal skills...they meticulously prepare for meetings and collaborations and they understand that without effective communication failure is almost certain.

Think of it this way: 
Filmmakers think and speak in terms of visuals and story...camera angles, lighting, lenses, blocking costumes etc. Composers think in musical terms: melody, rhythm, harmony, sound. If you speak from your expertise you will be speaking a foreign language and the quality of the communication will be poor.

Better to be prepared to establish a common language as a basis for your communications. 

Identifying, understanding and acknowledging what you are afraid of combined with superior preparation will give you the confidence to participate successfully. 

This won’t be lost on your collaborators....because 

confidence is a sign of strength...


and instinctively people will are drawn to strong, positive personalities. 

coming soon:

Part 3 Making connections

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Sunday, February 9, 2014

Monday Musings: "The illusion of reality"

I believe we are constantly inundated with opportunities. The problem is most of us are not honest enough with ourselves and too preoccupied to see them. 

For example: How often do we walk by someone or something totally preoccupied with our thoughts, our cellphone etc?  Do we recognize the late night diner as the inspiration for an iconic painting?  Are we not held captive by our self-created illusion of reality?

Breaking the bonds of the world you have crafted requires the courage to let go of your “perception of the world-- not the world as it actually is. And, if you change your point of view even as little as one degree you will find that your sense of reality will be altered. Your eyes will be able to see that which was there all along! 

When I was young I was ambitious to a fault...never with the intention of winning at all costs. Rather it was a personal journey and obsession to become the best musician I could possibly be...it was all about “me”, “me”, “me” though I would never admit to it at the time. This was my safe place....one that was familiar and comfortable. 

After a while I hit a brick wall. My life and career had stalled.  I didn’t have any idea why the methods that I had employed in the past were no longer working. I couldn't identify why I wasn't continuing to make progress towards my goals. As a last resort I turned my attention inward. 

It wasn’t long after the beginning of this painful process of self-examination I realized that it was time for me to shed the artificial self-image I had carefully crafted. This simple act of deceit had caused my paralysis. Armed with new insight I slowly began to move forward.

The inspiration behind “Nightthawks” is not known but for this painting to resonate with so many for so long is obviously due to the realness of the image. Edward Hopper succeeded in capturing a moment in time. I feel safe in saying he was focused on the moment of creation without concern for his cellphone.

To reach your highest potential as an artist: shed your illusions of reality, focus on the moment and be present. The opportunities that exist in plain sight will astonish you...


Thursday, December 26, 2013

Learn To Be Objective About Your Work

If you are actively engaged in creative endeavors most likely you will have a trusted circle of friends that you bounce ideas off of. This can be rewarding but tricky. While we all look to others for support, never underestimate how your relationship will impact the feedback. Learning to be objective about your work will allow you to measure your progress by yourself and not be completely reliant on the judgement of others.


1. BE CLEAR ABOUT YOUR GOAL


If you don't know where you are going....you will have no idea if you have achieved your objective or not. Define your goal in simple terms. When my friend George Gallo directs a film he creates a catchphrase to help him stay on track. Write it down. Keep it handy so you will be able to refer to it through your creative process.

2. KNOW YOUR PROCESS


Everyone approaches being creative differently. The trick is to learn about your process so that you can easily recreate it...on demand. If you look at professional athletes who are called upon to perform in high pressure situations (free throwsputting in golf, batters, pitchers etc.) you will notice that they all have a pre-shot routine. Develop your own pre-shot routine. And ...STICK TO IT.

3. FOCUS YOUR ATTENTION


Bill Clinton has said that what made Steve Jobs unique was his ability to concentrate. Being creative demands your full and undivided attention. Use your pre-shot routine to set the stage to give your work your all.

4. GET TO THE END


Ideas and indecision are the enemies of completion. Commit to an idea and FINISH. If you keep it all in your head your brilliant idea is nothing more than a marble ping-ponging in your head and...is completely worthless. You are an audience of one. The only way you can be objective about your work is to get it out of your body. Art (and creative ideas) are a snapshot of a moment in time. It will never be the same. And, you will perceive it differently every time you look at it.

5. THE ROLE OF PARTICIPANT AND OBSERVER


Now that you have completed your thought you will be able to switch your focus from being in the moment and "I'm a genius" to being an audience of the work. It is now the work....not your possession. Making this shift enables you to be objective. Some days you will be a genius...other days you will get depressed....(Why did I do THAT!!!). Adopting the role of observer will allow you to measure your progress...BEFORE you launch your work into the world.
Training yourself to be objective about your own work is an essential quality for the artist/creator. It's not as hard as it seems...if....you are willing to do the work.