Chris Boardman Music Blog: music

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Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, July 1, 2015

From certainty to ambiguity?

Using music to move from certainty to being comfortable with ambiguity- is it possible?

Reading between the lines.

Thinking on your feet, creative problem solving, connecting the dots. Whatever the label, it all comes down to the same thing: finding patterns and connectivity between seemingly disparate objects, situations and people.

Jeff Selingo writes convincingly in “The Hottest Job Skill Isn’t A Technical” that the seemingly mysterious quality of being able to “connect the dots” is of high value to employers…much more so than accepting that perfectionism is the surest path to success.

Life is an organism…the quintessential zoetrope. Nothing is perfect.

As composers, songwriters, producers (any creative individual) we are called upon to find unique solutions. Be it the turn of a musical phrase, a lyric, capturing a performance or deliberately choosing a oboe or English horn to play a passage, we constantly make decisions.

How do we make decisions anyway?


We can either be aware of our choices or, we can unconsciously stumble through relying on fear and/or habit. This too is a choice. So, which path is more valuable?

We are conditioned to follow rules. Conformity and common purpose provides the glue that holds us together as a society. But, at what point does compliance become a liability?  

Conformity isn’t necessarily bad. But, unconsciously following rules stifles individual thought, creativity and innovation. 

And, in our pursuit for perfection, adherence to the status quo can lead us away from contemplating and questioning whether or not the status quo is relevant for us… or not.

The older you get the more you see that life is messy, there are no easy answers and, regardless of what you’ve been taught to believe we spend the majority of our time making it up as we go along. We constantly live our lives making choices.

If this is true then why not spend our time improving our decision-making skills?
Why not focus your attention on how to make good choices rather than get swept up in competency being the determining factor of self-worth?

What does any of this have to do with studying music and music creation?


Those of us who have been trained in the arts hold a distinct and powerful advantage over those trained as specialists in a trade.

We are trained to make decisions and to judge the relative value of our choices. We are not exclusively constrained by rules of the status quo.

We continually make it up as we go along…self-determining how far to stretch the “box”.  

For me, the key to making good choices and consistently being able to connect the dots is to be aware and conscious of the choices I make.

And, if you are a creative individual never forget you have the power to choose, the ability to measure the consequences and the inherent courage to make good choices.

It is precisely your connection to creativity that gives you ability to connect the dots…in any situation.

It’s that something special about you that creates value… the unique way you approach problem solving and decision making. 

Step One: the road to better decision-making 


Spend your time listening to your inner voice. Don’t be afraid to dig deep to find out what is special about you…that something you do better than anyone else.

I suspect you will be surprised at what you find.

Friday, August 8, 2014

Vital Collaborations Part 1


(This is an excerpt from a speech I gave at the VizualNow Event July 27th).

Part One

It is easy to see successful working relationships. They seem effortless, almost magical.  Have you ever really wondered what makes them work? 

Have you ever been in a situation that didn’t end well? If so, have you ever asked yourself the question: “What did I do to contribute to a less than positive outcome?

All too often we are afraid to address our failures because we won’t like what we see.

When I started doing films I had already established myself as something of a hotshot arranger/orchestrator so I walked in the door with an attitude...self-confident about my musical expertise. Everything seemed to be working fine until I failed miserably on a show and had no idea why or where to turn? And then, I failed again, and again.

This was quite a blow to my ego....expert that I considered myself to be. 

I quickly realized that I had a big problem. 

Failure was not an option so I had to address why I was failing and figure out what I had to do to turn the ship around.

Truth was: I had no idea what I was doing. 

I thought that everyone would just love my music and I would be done. I was the expert. Right?

Wrong. 

In desperation I decided I need to know as much as I could about making movies... that I had to become an expert in moviemaking to continue working....My approach was based on what had worked for me in the past....become the expert and everything would work out fine.  What I didn’t realize was that I was replacing one widget with another. 

What I missed completely was my glaring lack of interpersonal skills.

I would get defensive if criticized
I had no idea how to articulate my position.
I had no conflict management skills. 

I was the expert right?....

Creating media is a collaborative exercise....You need not be the smartest person in the room to be a successful collaborator.
And those that have succeeded have much more than personal expertise to offer. 

I looked to my heroes for guidance.

When I studied the icons of film music, John Williams, Alan Silvestri, Elmer Bernstein, Jerry Goldsmith, Hans Zimmer, it appeared that they were all truly gifted collaborators as well as being musical giants.

If I ever wanted to reach that level of success I had to find out how get some of that “gold dust”....that something special that my idols seemed to exude effortlessly.

What was it they had that I didn’t?

It was obvious these guys had mastered the art of collaboration....but there seemed to be something more that I was missing. 

It was pointed out to me that: 


“we unconsciously sabotage our relationships because we are not aware of how our subconscious behavior affects our actions. In addition, we can be confused about who are and why we do what we do."




Taking an objective personal inventory I discovered that:

I was an expert musician but...

I was terribly insecure
I had no idea how to resolve an argument
I needed constant validation for my work....(the curse of the artist-to have everyone love them).

In this moment of awareness three different topics emerged:

1- Embrace your fear....

2- Focus your attention 

3- Add value 


What does this mean?

Part Two coming soon:


Friday, June 20, 2014

Announcing a new album

After spending the last two years feverishly working to reinvigorate the MWP at the Frost School I've realized there just isn't enough music in my life. So, I've made the commitment to make a new album this summer. I have a few surprises up my sleeve so stay tuned!

This is the first track. Enjoy!
CB
https://soundcloud.com/chrisboardman/summer-14-1